- API 3124+ (4 channels) - API / ATI 8MX2 (8 channels) - (2) Avedis MA5 - Burl Audio B1 - John Hardy M-1 (4 channels) - Millennia HV-3D (8 channels) - (2) Radial X-Amp (reamp) - (2) Radial JDI - TnC ACMP-81 (Neve 1081-inspired) - (2) Shadow Hills GAMA

- (2) Alta Moda AM-10 compressor/limiter - Alta Moda AM-20 EQ - Amtec Phanzen stereo compressor / limiter - API 527 compressor / limiter - (2) API 550A (originals) - Crane Song IBIS stereo mastering eq - DBX 165A vintage "over-easy" fet compressor - DBX 163X - Inward Connections DEQ-1 stereo mastering eq - Inward Connections Opt1A optical limiter - Pendulum OCL-2 stereo optical compressor / limiter - Thermionic Culture Phoenix stereo vari-mu compressor - TK Audio BC1 buss compressor - TnC ACMP-81 (Neve 1081-inspired) - Bloo LA-2A Teletronix LA-2A clone - (2) G-1176 Limiting Amp - (2) G-SSL Mixbuss Compressor - Toft AFC-2 stereo Trident 80B-style EQ/mic pre - (2) FMR RNC - Purple Audio "Cans" (headphone amp)

- Bricasti M7 V2 stereo reverb - 4ms Triwave Picogenerator - Ensoniq DP/4 - MuTron Phasor II - MuTron III+ - Boss RE-20 Space Echo (Roland RE-201 recreation) - Orban 111b stereo spring reverb - Alesis Midiverb III - Lexicon Vortex - Misc. Software-based effects (see below)

- ADAM S3As
- Focal CMS Sub
- Tannoy Reveal 501as
- Hear Technologies Hear Back system (1 hub, 5 mixers)

- Studer 903 Mixing Console (36 x 8 x 4) - Pro Tools HD2 Accel - 32 analog / 32 digital I/O - (2) Apogee AD-16X - (2) Apogee DA-16X - Apogee Rosetta 800 - Sound Devices 702 - Dangerous Music D-Box - Mackie Control Universal - Magma ExpressBox (for Mobile HD1 system) - M-Audio Lightbridge - M-Audio Firewire 1814 - Otari MX5050 (stereo 1/4" reel-to-reel) - Tascam 122 mkIII cassette deck - Computers: Apple MacPro 8-core 2.8Ghz w/ 10GB RAM; (2) MacBook Pro 2.4Ghz Core 2 Duo w/ 4Gb Ram

Our Studer 900 Series mixing console was originally installed at the Metropolitan Opera House as its main broadcast board. This incredible sounding console features: - 36 mic / line / tape inputs (28 mono / 4 stereo) with excellent 4-band eq (2-position selectable Q on each band)  and sweepable hi-pass and low-pass filters on all inputs, separate PFL and AFL selectors for each channel - M/S encoding and stereo width adjustment on stereo inputs - 4 auxes (3 mono, 1 stereo) on all channels and groups, selectable pre / post, with sweepable hi-pass filters, PFL, talkback on the aux masters - 8 subgroups with pan and aux sends - 2 stereo master groups - 8 stereo aux monitor inputs - inserts (unbalanced with separate send / return) on all channels, with balanced inserts on groups and masters - meters on all channels with plasma meters on groups and masters and vu meters on auxes. - 8 1X4 distribution amps - comprehensive talkback, monitoring, and studio output features with 5 TB channels, slate, three stereo monitor outputs, PFL / AFL buss out, mono select and stereo adjustment.

- Pro Tools HD 8
- Logic Pro 8
- Live 7
- Reason 3
- Sibelius 6
- Peak Pro 6
- Melodyne 3

- Altiverb 6
- Izotope RX 2, Alloy, Spectron, Ozone, Trash, Vinyl
- Pro Audio DSP Dynamic Spectrum Mapper
- Abbey Road / Chandler Ltd EMI TG 12413 limiter, TG Mastering EQs, Brilliance Pack
- Massenburg Design EQ
- Sound Toys TDM Bundle V4
- Oxford (Sonnox) Dynamics, EQ, Inflator, Transmod, Restoration, Limiter
- URS Classic Console Equalizers and Compressors
- Massey Tape Head, DTM, etc.
- AAS Modeling Instruments (Lounge Lizard, Ultra Analog, Tassman, String Studio)
- Arturia ARP 2600, MiniMoog, Analog Factory
- Bomb Factory plug-ins (all)
- PSP Delays / Nitro
- Antares Auto-Tune 5
- Focusrite D2 / D3
- Waves IR-1
- NI Kontakt 3
- Vienna Symphonic Library Opus 1, FX Percussion, Harps

- Orange Dual Terror head - Orange PPC 112 cabinet - Fender Champion 600 - Fender Blues Junior - Marshall JTM45 (1962 "Bluesbreaker") RI loaded with Weber AlNiCo "Bluedogs" - THD Hotplate (8 ohm) - Weber 6A20 - '65 Fender Deluxe Reverb clone, built in-house at Oktaven

- Gibson J-45 ('05) - Epiphone Sheraton (late '80s) - Fender SRV Stratocaster - Fender '72 Telecaster Custom reissue - Fender '53 "Sting" P-Bass reissue MIJ - Martin B-1 Acoustic Bass - Paul Reed Smith McCarty (Indian rosewood neck)

Oktaven Audio has an incredible Yamaha Recording Custom Drumset on-site belonging to New York Percussion Service. New York Percussion Service was founded by Jeffrey Irving and Joseph Tompkins to provide NYC-area percussionists with a full catalog of top-quality instruments deliverable for any performance situation. Oktaven Audio is working together New York Percussion Service to offer discounted rates on rentals.

Further percussion:

- '60s Ludwig Supraphonic Snare
- Yamaha 'Peter Erskine' 12" snare
- Pearl 'Chad Smith' signature snare
- DW / Pacific wood hoop snare
- '70s Premier snare
- GMS 16" floor tom
- Sabian HHX 16 ‘Studio Crash'
- Zildjian A 12 ‘Special Recording' hi-hats, K 14 ‘Custom Dark' crash, K 16 ‘Dark Crash Thin', K 20 ‘Custom Dry' ride, K 20 ‘Custom Flat Top' ride
- misc. tambourines, shakers, one-shot, bells, etc.